length
across two planks to the fish house...
... where they waited for the ice truck
to carry them to the market in Havana.
"Can I offer you a beer on the terrace?"
The boy asked.
"Why not?" the old man said.
"Between fisherman."
Two beers, Martin. Please.
They sat on the terrace and many
fishermen made fun of the old man.
But he was not angry.
He did not remember
when he had attained humility..
length
across two planks to the fish house...
... where they waited for the ice truck
to carry them to the market in Havana.
"Can I offer you a beer on the terrace?"
The boy asked.
"Why not?" the old man said.
"Between fisherman."
Two beers, Martin. Please.
They sat on the terrace and many
fishermen made fun of the old man.
But he was not angry.
He did not remember
when he had attained humility..
length of his face from the corner of his eye to his chin. It bleeds freely. An un-lit cigarette hangs in the corner of his mouth.
In the half-light we can make out that he is on the deck of a large boat. A yacht, perhaps, or a small freighter. He sits with his back against the front bulkhead of the wheel house. His legs are twisted at odd, almost impossible angles. He looks down.
A thin trail of
Shank Plows", which was held in 1963.
In 1950, William T. Graham invented a device which was a combination of old mechanical elements: a device designed to absorb shock from the shanks of chisel plows as they plow through rocky soil and, thus, prevent damage to the plow.
Patent No. 2,493,811
Graham sought to solve this problem by attaching the plow shanks to spring clamps to allow them
HUDSON HAWK
Screenplay by
Steven E. de Souza
Revisions by
Dan Waters
Based on an original idea by
Bruce Willis & Robert Kraft
A Silver Pictures/Flying Heart Films June 14, 1990
Production
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
EXT. VINCI COUNTRYSIDE - RENAISSANCE - DAY
Beneath a jawdroppingly s
He roughly picks the dog up by the scruff of the neck, but as he turns it around we see that it is a
stuffed dog. Around its neck is a business card that reads, "You have been had by Ace Ventura -
Pet Detective." He breathes fire.
GRUFF MAN
Son of a bitch!
He smashes the dog to the ground.
EXT. ALLEY - CONTD
As the UPS Man/Ace rounds the corner, his shirt opens up at his pot belly and the Shiatsu
"Out of Sight"
Screenplay by
Scott Frank
from the novel by
Elmore Leonard
White Final: 08/05/97
Blue Revised: 09/17/97
Pink Revised: 11/11/97
Green Revised: 12/15/97
Goldenrod Revised: 12/16/97
Buff Revised: 03/17/98
Salmon Revised: 03/23/98
BLACK
We hear TRAFFIC, some STREET NOISES, then...
FADE IN: A MIAMI STREET - DAY
The financial district. Lots of people in suits. A shaky,
spasmodic ZOOM IN
Wes Cravens
A NIGHTMARE ON ELM STREET
1A. INT. (MONTAGE). 1A.
NIGHTMARE MUSIC THEME begins as we FADE UP on a SERIES OF SHOTS,
all CLOSE and teasing.
-- A mans FEET, in shabby work shoes, stalking
through a junk bin in a dark, fire-lit, ash-
dusted place. A huge BOILER ROOM is what it
is, although we only glimpse it piecemeal.
Then we SEE a MANS HAND, dirty and nail-bitten,
reach INTO FRAME and p
The Man hands his coat to coat check woman and thanks her. When he turns we get our first view of DR. RICHARD KIMBLE, a tall, athletic man, with a trim beard.
He moves from the outer lobby into a fabulously decorated ballroom where a fashion show is taking place as a medical fundraiser. Doctors and their spouses, hospital brass and sponsers mingle. Women sit near the runway watching the models. M
BARRY LYNDON
A Screenplay by Stanley Kubrick
Based on the novel by William Makepeace Thackeray
FADE IN:
EXT. PARK - DAY
Brief shot of duel.
RODERICK (V.O.)
My father, who was well-known to the
best circles in this kingdom under
the name of roaring Harry James, was
killed in a duel, when I was fifteen
years old.
EXT. GARDEN - DAY
Mrs. James, talking with a suitor; Roderick, at a
distance.
RODERICK